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%ما هو (من)٪ 1 - تعريف

MANUSCRIPT
Khludov Psalter; Khudlov Psalter
  • The worn state of many pages is evidence of continuous use throughout centuries.

Psalter Pahlavi         
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ABJAD WHICH WAS USED FOR WRITING MIDDLE PERSIAN ON PAPER
ISO 15924:Phlp; Psalter script; Psalter alphabet; 𐮀; 𐮁; 𐮂; 𐮃; 𐮄; 𐮅; 𐮆; 𐮇; 𐮈; 𐮉; 𐮊; 𐮋; 𐮌; 𐮍; 𐮎; 𐮏; 𐮐; 𐮑; 𐮙; 𐮚; 𐮛; 𐮜; 𐮩; 𐮪; 𐮫; 𐮬; 𐮭; 𐮮; 𐮯; Psalter Pahlavi script
Psalter Pahlavi is a cursive abjad that was used for writing Middle Persian on paper; it is thus described as one of the Pahlavi scripts. It was written right to left, usually with spaces between words.
Dagulf Psalter         
  • Facsimile of the Dagulf Psalter showing painted initial folio (left), and golden script (right).
  • The Psalter's "Beatus" folio
  • The Psalter's original ivory covers, now separated from the codex and on display in the Louvre.
The Dagulf Psalter is a late 8th-century Carolingian manuscript, and is one of the earliest examples of a codex emanating from the Court School of Charlemagne. The 161 page codex is written entirely in golden Carolingian minuscule script, and contains the Old Testament Psalms as well as a selection of Frankish Canticles.
Great Canterbury Psalter         
  • ''The Great Canterbury Psalter,'' f. 154v
  • ''The Great Canterbury Psalter,'' f. 1r
PSALTER CREATED IN 1200 IN CANTERBURY, FINISHED BY FERRER BASSA IN 1340 IN BARCELONA
Anglo-Catalan Psalter
The Great Canterbury Psalter (also called the Anglo-Catalan Psalter or Paris PsalterNot to be confused with the Byzantine Paris Psalter. "Great Canterbury Psalter" seems to be a name invented by Nigel Morgan) is an early 13th- and mid 14th-century illuminated manuscript with the shelfmark MS lat.

ويكيبيديا

Chludov Psalter

Chludov Psalter (Russian: Хлудовская псалтырь; Moscow, Hist. Mus. MS. D.129) is an illuminated marginal Psalter made in the middle of the 9th Century. It is a unique monument of Byzantine art at the time of the Iconoclasm, one of only three illuminated Byzantine Psalters to survive from the 9th century.

According to one tradition, the miniatures are supposed to have been created clandestinely, and many of them are directed against Iconoclasts. Many contain explanations of the drawings written next to them, and little arrows point out from the main text to the illustration, to show which line the picture refers to. The polemical style of the whole ensemble is highly unusual, and a demonstration of the furious passions the Iconoclast dispute generated.

The psalter measures 195 mm by 150 mm and contains only 169 folios. The outer edges of the pages are normally left blank in order to be covered with illustrations. The text and captions were written in a diminutive uncial script, but many of these were rewritten in crude minuscule about three centuries later. The book contains the Psalms in the arrangement of the Septuagint, and the responses to be chanted during their recitation, which follow the Liturgy of Hagia Sophia, the Imperial church in Constantinople.

In the illustration to the right, the miniaturist illustrated the line "They gave me gall to eat; and when I was thirsty they gave me vinegar to drink" with a picture of a soldier offering Christ vinegar on a sponge attached to a pole. Below is a picture of the last Iconoclast Patriarch of Constantinople, John the Grammarian rubbing out a painting of Christ with a similar sponge attached to a pole. John is caricatured, here as on other pages, with untidy straight hair sticking out in all directions, which was considered ridiculous by the elegant Byzantines.

Nikodim Kondakov hypothesized that the psalter was created in the famous monastery of St John the Studite in Constantinople. Other scholars believe that the liturgical responses it contains were only used in Hagia Sophia, and that it was therefore a product of the Imperial workshops in Constantinople, soon after the return of the Iconophiles to power in 843.

It was kept at Mount Athos until 1847, when a Russian scholar brought it to Moscow. The psalter was then acquired by Aleksey Khludov, whose name it bears today. It passed as part of the Khludov bequest to the Nikolsky Old Believer Monastery and then to the State Historical Museum.